Numerous seasons performing the 'Fall' pas de deux and a partner she "trusts with her life" afford Principal Dancer Unity Phelan an ease of exploration in the role. Experience the range of moods depicted in Jerome Robbins' Verdi-scored The Four Seasons during the Tribute to Robbins program, beginning on Opening Night of 2024 Winter performances. Book today at nycballet.com/tributetorobbins | New York City Ballet

In a ballet last seen on the NYCB stage in 1994, soloists Unity Phelan and Harrison Ball debuted in this playfully precise pas de deux from Balanchine's rarely-performed Haieff Divertimento at Thursday night's performance. Experience this little-seen ballet at this afternoon's performance. There's just three more opportunities to catch the Classic NYCB I program: FEB 9, 25 & 29 mat: nycballet.com/classicnycb1 | New York City Ballet

In our latest Anatomy of a Dance feature, Principal Dancer Unity Phelan describes the refined technique required to dance the main pas de deux in Haieff Divertimento, one of George Balanchine's earliest and most rarely-performed leotard ballets. See it revived this winter on the All Balanchine program with performances through January 28: nycballet.com/balanchinewinter | New York City Ballet

In our latest Anatomy of a Dance feature on George Balanchine's Episodes, Principal Dancer Unity Phelan lets us in on the secrets of this unique ballet's score and explains why taking cues from the conductor is crucial to staying in sync with your partner. Catch Episodes this fall on the All Balanchine II program, opening September 17: nycballet.com/allbalanchine2 | New York City Ballet

Flash Footage: Principal Dancers Unity Phelan and Andrew Veyette during their Opening Night debuts as the third couple in Jerome Robbins' In the Night, interpreting roles originated by Patricia McBride and Francisco Moncion in 1970. See the choreographic ode to Chopin's nocturnes on the Tribute to Robbins program through February 3: nycballet.com/tributetorobbins | New York City Ballet

Spring Replay: In this clip from Alexei Ratmansky's Namouna, A Grand Divertissement, one can't help but wonder what Principal Dancers Unity Phelan and Taylor Stanley hear in the distance—other than the Romance-inflected Édouard Lalo score, that is. | New York City Ballet

The at-once taut and expansive style of the Agon Pas de Deux embodied by Principal Dancers Adrian Danchig-Waring and Unity Phelan. Don't miss the final three performances of Agon this week on the Masters at Work: Balanchine & Robbins III program: nycballet.com/balanchinerobbins3spring | New York City Ballet